Quotes by Charlotte Brontė

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All these relics gave... Thornfield Hall the aspect of a home of the past: a shrine to memory. I liked the hush, the gloom, the quaintness of these retreats in the day; but I by no means coveted a night's repose on one of those wide and heavy beds: shut in, some of them, with doors of oak; shaded, others, with wrought old-English hangings crusted with thick work, portraying effigies of strange flowers, and stranger birds, and strangest human beings, — all which would have looked strange, indeed, by the pallid gleam of moonlight.

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Most true is it that "beauty is in the eye of the gazer." My master's colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth, — all energy, decision, will, — were not beautiful, according to rule; but they were more than beautiful to me; they were full of an interest, an influence that quite mastered me, — that took my feelings from my own power and fettered them in his. I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously arrived, green and strong! He made me love him without looking at me.

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Yesterday I saw Mr. Thackeray. He dined here with some other gentlemen. He is a very tall man, above six feet high, with a peculiar face, not handsome, very ugly indeed, generally somewhat stern and satirical in expression, but capable also of a kind look. He was not told who I was, he was not introduced to me, but I soon saw him looking at me through his spectacles; and when we all rose to go down to dinner he just stepped quietly up and said "Shake hands"; so I shook hands. He spoke very few words to me, but when he went away he shook hands again in a very kind way. It is better, I should think, to have him for a friend than an enemy, for he is a most formidable-looking personage. I listened to him as he conversed with the other gentlemen. All he says is most simple, but often cynical, harsh, and contradictory.

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What a singularly deep impression her injustice seems to have made on your heart... Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity, or registering wrongs.

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This is a terrible hour, but it is often that darkest point which precedes the rise of day; that turn of the year when the icy January wind carries over the waste at once the dirge of departing winter, and the prophecy of coming spring.

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I shall be called discontented. I could not help it: the restlessness was in my nature; it agitated me to pain sometimes.

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School-rules, school-duties, school-habits and notions, and voices, and faces, and phrases, and costumes, and preferences, and antipathies — such was what I knew of existence. And now I felt that it was not enough; I tired of the routine of eight years in one afternoon. I desired liberty; for liberty I gasped; for liberty I uttered a prayer; it seemed scattered on the wind then faintly blowing. I abandoned it and framed a humbler supplication; for change, stimulus: that petition, too, seemed swept off into vague space: "Then," I cried, half desperate, "grant me at least a new servitude!"
Here a bell, ringing the hour of supper, called me downstairs.

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My God, whose son, as on this night, took on Him the form of man, and for man vouchsafed to suffer and bleed, controls thy hand, and without His behest, thou canst not strike a stroke. My God is sinless, eternal, all-wise, and in Him is my trust, and though stripped and crushed by thee, - though naked, desolate, void of resource - I do not despair: where the lance of Guthrum now wet with my blood, I should not despair. I watch, I toil, I hope, I pray: Jehovah, in His own time, will aid.

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I am glad you are no relation of mine. I will never call you aunt as long as I live. I will never come to see you when I am grown up; and if any asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick.

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I have lately been reading Modern Painters, and I have derived from the work much genuine pleasure and, I hope, some edification; at any rate it made me feel how ignorant I had previously been on the subject which it treats. Hitherto I have only had instinct to guide me in judging of art; I feel now as if I had been walking blindfold — this book seems to give me eyes. I do wish I had pictures within reach by which to test the new sense. Who can read these glowing descriptions of (J. M. W.) Turner's works without longing to see them? However eloquent and convincing the language in which another's opinion is placed before you, you still wish to judge for yourself. I like this author's style much; there is both energy and beauty in it: I like himself too, because he is such a hearty admirer. He does not give Turner half-measure of praise or veneration; he eulogizes, he reverences him (or rather his genius) with his whole soul. One can sympathize with that sort of devout, serious admiration (for he is no rhapsodist) one can respect it; and yet possibly many people would laugh at it. I am truly obliged to Mr. Smith for giving me this book, not having often met with one that has pleased me more.