The one who accumulates knowledge, accumulates pain.
There is no sin, except stupidity.
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The one who accumulates knowledge, accumulates pain.
There is no sin, except stupidity.
Writing os one of the most solitary activities in the world. Once every two years, I sit in front of my computer, I observe my soul's unknown ocean and I see a few islands - ideas which are developing and that are ready to be explored. And so I take my boat - its name is "Word" - and I choose to sail towards the closest of them. On the journey, I come across currents, winds and storms, but I go on rowing, growing more tired. I am conscious of being off route, of not having on the horizon the island I wanted to reach anymore. All the same there is no way of going back: I have to continue anyway, or I shall find myself lost amidst the ocean. At that moment a series of terrifying images cross my mind: I that spend the rest of my life talking of previous success, or sourly crticizing new writers for the simple fact of not having the courage of publishing any new material. But wasn't my dream that of being a writer? Therefore I must go on creating sentences, paragraphs, chapters and Wrtiting to exhaustion, without letting myself be paralized by success, by defeat, by traps along the way.
Shaken by such absurd thoughts, I find within myself a strength and courage of which I ignored the existence: they help me to adventure to the boundless side of my soul. I let myself be carried by the currents and I end up anchoring my boat in the proximity of the island to where I have been taken. I spend days and nights wrtiting what I see, asking myself why am I acting this way, repeating to myself every moment why this effort has become useless, that I have no nedd to prove anything to anyone, that I have already obtained what I wanted and a lot more of what I could possibly dream of.
It is very rare for Elves to express their opinion, for advice are dangerous gifts, even when expressed between wise people. And all roads may end in a ravine.
The deeds were monstrous, but the doer--at least, the very effective one now on trial--was quite ordinary, commonplace, and neither monstrous nor demonic.
I had been surrounded with fancied beings, with mere airy nothings conjured up by poetic power, yet which, to me, had all the charm of reality.
I didn't write for idiots. That's why my audience is thight.
It is a lot easier to cry "Stop!" than to actually stop.
I can't die yet, doctor. Not yet. I have things to do. Afterwards I'll have a whole lifetime in which to die.
I had not understood that this was a story about lonely people, about absence and loss, and that that was why I had taken refuge in it until it became confused with my own life, like someone who has escaped into the pages of a novel because those whom he needs to love seem nothing more than ghosts inhabiting the mind of a stranger.
When we don't seem to think about nothing, acyually we think about what we care. The love is like gravity force: invisible and universal, like the physical one. Inevitably our heart, our eyes, our words, without realizing it end up there, on what we love, like the apple with the gravity.