What was observed by us in the third place is the nature or matter of the Milky Way itself, which, with the aid of the spyglass, may be observed so well that all the disputes that for so many generations have vexed philosophers are destroyed by visible certainty, and we are liberated from wordy arguments.
Homo economicus was surreptitiously taken as the emblem and analogue for all living beings. A mechanistic anthropomorphism has gained currency. Bacteria are imagined to mimic "economic" behavior and to engage in internecine competition for the scarce oxygen available in their environment. A cosmic struggle among ever more complex forms of life has become the anthropic foundational myth of the scientific age.
Apocatastasis. What it means:
1) Restoration, re-establishment, renovation
2) Return to a previous condition
3) (Astronomy) Return to the same apparent position, completion of a period of revolution.
Think about it.
The science hangs like a gathering fog in a valley, a fog which begins nowhere and goes nowhere, an incidental, unmeaning inconvenience to passers-by.
The whole question of imagination in science is often misunderstood by people in other disciplines. They overlook the fact that whatever we are allowed to imagine in science must be consistent with everything else we know.
In my time I've been very fortunate to see many of my dreams come true! Growing up in the 1920s and 1930s, I never expected to see so much happen in the span of a few decades. We "space cadets" of the British Interplanetary Society spent all our spare time discussing space travel, but we didn't imagine that it lay in our own near future... I still can't quite believe that we've just marked the 50th anniversary of the Space Age! We've accomplished a great deal in that time, but the "Golden Age of Space" is only just beginning. Over the next 50 years, thousands of people will travel to Earth orbit — and then, to the Moon and beyond. Space travel, and space tourism, will one day become almost as commonplace as flying to exotic destinations on our own planet.
In science one tries to tell people, in such a way as to be understood by everyone, something that no one ever knew before. But in poetry, it's the exact opposite.
In its essence, technology is something that man does not control.
I use the word 'attraction' here in a general sense for any endeavor whatever of bodies to approach one another, whether that endeavor occurs as a result of the action of the bodies either drawn toward one other or acting on one another by means of spirits emitted or whether it arises from the action of aether or of air or of any medium whatsoever-whether corporeal or incorporeal-in any way impelling toward one another the bodies floating therein. I use the word 'impulsè' in the same general sense, considering in this treatise not the species of forces and their physical qualities but their quantities and mathematical proportions, as I have explained in the definitions.
In this lecture I would like to conclude with some characteristics [of] gravity. The most impressive fact is that gravity is simple. It is simple to state the principles completely and not have left any vagueness for anybody to change the ideas of the law. It is simple, and therefore it is beautiful. It is simple in its pattern. I do not mean it is simple in its action—the motions of the various planets and the perturbations of one on the other can be quite complicated to work out, and to follow how all those stars in a globular cluster move is quite beyond our ability. It is complicated in its actions, but the basic pattern or the system beneath the whole thing is simple. This is common to all our laws; they all turn out to be simple things, although complex in their actual actions.