What I think happens today is that a lot of filmmakers look at other films that are retro pieces, like L. A. Confidential, and say, oh, that's period. We didn't want to do the stereotypical stuff.
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What I think happens today is that a lot of filmmakers look at other films that are retro pieces, like L. A. Confidential, and say, oh, that's period. We didn't want to do the stereotypical stuff.
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